Discover the work of two photographers who were revolutionary in making time stand still
Date/Time: Jan 30 2017, 9:00 am to 9:00 pm
Surrey, Surrey Arts Centre | Event calendarCost: Free
Out of Sight features a selection of photographs, recently acquired by the Vancouver Art Gallery, by Eadweard Muybridge (1830-1904) and Harold Edgerton (1903-1990). Both artists are celebrated for their revolutionary works that expand our understanding of time and motion and extend the capacity of human perception by making time stand still.
While time can be measured and evaluated, it also has a profound subjective dimension; how the passage of time is understood and felt is the product of individual experience, making its perception fluid, malleable, and subject to interpretation. Both of these artists continually mined this rich terrain—how time can be represented and perceived—by manipulating and distorting the ways in which time functions to challenge our accepted views and preconceived notions.
The photographs of Muybridge and Edgerton depict slices of time—frozen moments—to approach the problem of representing that which cannot be seen. In their scientific experiments they exploited the promise of the photographic medium to act as a definitive record of an action or event, essentially stopping time to depict the mechanical truth of movement. Brought together, these bodies of work explore ideas about perception and representation, challenging viewers to reconsider what we see in our everyday encounters.
Organized and circulated by the Vancouver Art Gallery with the generous support of the Killy Foundation.
About the Artists
Harold Edgerton:
Harold Edgerton was a trained scientist who is credited with inventing ultra-high-speed, stroboscopic and stop-action photography to take pictures of events that occurred too quickly, or too slowly, for the human eye to see. He was able to take photographs with exposures as short as a hundred-millionth of a second, and he stated that his images demonstrate the possibility for “time itself to be chopped up into small bits and frozen so that it suits our needs and wishes.”
His experiments with stroboscopes allowed him to capture incredibly minute and fast movements that are outside our normal cognitive scope. With his striking imagery, Edgerton transforms our understanding of temporal space and experience, redefining how we perceive movement by extending the capacity of the human eye.
Eadweard Muybridge:
Eadweard Muybridge is renowned for his sequential images of human and animal locomotion. From 1883 to 1886, while under the employ of the University of Pennsylvania, Muybridge produced more than 100,000 images that documented the common movements of men, women and children at work, leisure and play, as well similar studies of various animals, including elephants, dogs and horses. In 1887, a selection of these works were published as 781 plates in a collection titled Animal Locomotion.
Muybridge was fascinated by the capacity of photography to act as a definitive record of an object, action or event, and his earliest stop-motion images of a running horse were intended to prove that all four hooves of a horse left the ground when it was galloping. Using multiple cameras and elaborate triggering devices, Muybridge was able to virtually stop time and provide surprising and provocative insights into the mechanics and wonder of human and animal movement.
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